![]() ![]() ![]() Why doesn’t every synth have this? (Tell you something, all ours are gonna have from now on.) It elevates noise from something that you can use only on part of a sound (the attack “chiff” of a flute, say) to something that’s musical in its own right… without eating up an oscillator. You have no idea until you’ve used this how useful it is musically. Second, there’s the Scale Noise option, which is – basically – noise with a pitched component. Sometimes what comes out isn’t what you were expecting, but overall, it’s great. They’re linked to some very leftfield contour generators. ![]() This is Korg’s name for the filter, and it comprises a cool arrangement of high-pass and low-pass circuits which are ganged together so you can either use them independently or as a band-pass. Fundamentally it’s a twin-oscillator monosynth with the usual waveforms and a fairly standard control set (although there’s a ring modulator, which is a little unexpected and very welcome)… except for three significant differences that really set it apart from the crowd.įirst, the “Traveler”. The 770 is a wonderful little synth – quirky, imaginative, oddball, strange in all the right ways. This all came about because we fell in love with our Korg 770. 40 factory patches and the ever-popular Glitch control to make rolling your own as easy as clicking a button!.‘Virtual PWM’, five separate filters, Scale noise, three oscillators + sub….Faithfully-modelled vintage Traveler circuit for eerie, resonant band-pass filtering.‘External Input’ module brings complex waves from other Korg machines into the signal path: dial up the sounds of the Lambda, PolySix and more!.“One of the Robot’s most ambitious libraries to date… Excelling at sci-fi weirdness, gentle melodics and quirky FX, Poly 770 is a retro triumph” – Computer Music MagazineĪ Radiophonic Workshop-style synthesist’s delight, fusing a fully polyphonic Korg 770 to a selection of sophisticated controls ![]()
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